11 Monster Legends Invented By Hollywood


The movies didn’t invent monsters like werewolves or vampires, but they helped shape how we see them today. Many common myths — like sun -burning vampires and brain -eating zombies — have become more popular recently than you might think. Read on to find out about the 11 classic monster tropes and movies that introduced them to pop culture.

1. The sun burned the vampires.

Vampires burning in the sun is a classic legend, right there with vampires who hate garlic and don’t have a mirror in a mirror. But unlike other pillars of vampire myth, this trope did not come from Bram Stoker’s Dracula or earlier legends. The unauthorized German Dracula adaptation Nosferatu is the first piece of media to describe a vampire dying when exposed to sunlight. In Stoker’s novel, sunlight weakens the vampires, but it doesn’t stop the title villain from walking through the day. Nosferatuthe fiery death was added by the filmmakers to make the climax more visually interesting.

2. Frankenstein’s monster is green.

In his novel Frankenstein, Mary Shelley described Frankenstein’s monster as having “yellow skin” that “barely covered the work of the muscles and nerves underneath.” The green face paint was chosen for film adaptation due to technical time constraints. Blues and greens emerged as a terrifying white shade in the black-and-white film, which helped Boris Karloff stand out from the rest of the cast. Later the character is described as green on promotional posters, and a new color for the monster is born.

3. The bite of a werewolf makes you one.

Many parts of this wolf myth predate Hollywood. According to legend, some men will change into wolves during the month – but how they acquired this power in the first place will vary. The Greeks believed that lycanthropy was a curse from the gods, while the Norsemen thought that someone had become a werewolf by donating a wolfskin belt. The film in 1935 Werewolf of London probably derived from the idea that suffering was transferred by bite — possibly borrowing the concept from vampire folklore.

4. Witches have green skin.

Prior to 1939, witches were depicted with bright red or orange faces, if not more human -like skin tones. Tapos The Wizard of Oz led and changed our understanding of mythical myths. The Wicked Witch of the West doesn’t have the green skin in Frank L. Baum’s book, but the filmmakers want to make the most of Technicolor once Dorothy arrives in Oz. They covered Margaret Hamilton with an unnatural (and later learned, toxic) green face paint that flaunted her character. The bright shade of emerald has been linked to witches ever since.

5. Zombies are slow.

George A. Romero’s Night of the Living Dead (1968) helped popularize the modern zombie legend. This includes the undead trope that moves only slightly faster than real corpses. Monsters on their walk are known that any movie depicting fast moving zombies is remarkable.

6. Frankenstein’s Monster has bolts around his neck.

Any mention of bolts on the sides of the monster’s neck is missing from Mary Shelley Frankenstein. The filmmakers in 1931 Frankenstein metal nubs could have been added to emphasize the monster’s connection to electricity. Originally meant to be electrodes, but critics have described them as bolts and the misconception is stuck around.

7. Dracula wears a medallion.

Bram Stoker described Dracula as “wearing black from head to toe, without a single shade of color about him anywhere.” The character first began wearing a snazzy cape and tuxedo at a stage in the 1924 production of the story, starring Bela Lugosi when it moved from London to the US in the late 1920s. When Lugosi brought Dracula to the screen in 1931, he took it with a tender look. An element of Dracula’s outfit Lugosi gets full credit for his magical medallion. Despite only appearing in two scenes, the accessory is now part of every generic vampire costume sold in Halloween stores.

8. Werewolves are bipedal.

Most werewolf folklore describes men as wolves — not half-humans, half-wolf hybrids walking on their hind legs. This changed quickly when Hollywood started making werewolf movies. In addition to the introduction of the werewolf bite myth, Werewolf of London (1935) was the first film to feature an anthropomorphic, bipedal werewolf as its villain. Today, monster -like features are valued.

9. Zombies are eating brains.

One zombie trope that Romero can’t take credit for is their brain appetite. This cliché originated in 1985 comor dread Return of the Living Dead, who is not part of the officer Night of the Living Dead canon According to film writer and director Dan O’Bannon, the human brain is a natural pain reliever for zombies.

10. Resurrected mummy will remain in their wrapper.

The mummy bandages were wrapped making it difficult for them to move, so Boris Karloff as Imhotep threw away his moment after waking up in 1932’s The Mummy. The Mummy’s Hand (1940) shows the first example of a mummy moving and numbing its victim in its wrappers, which is commonly described today.

11. Frankenstein is barely able to speak.

In the 1931’s Frankenstein, the monster’s speech was limited to grunts, and to The bride of Frankenstein (1935) he speaks only broken sentences. It’s a departure from Shelley’s book, where the creature can speak very well. He teaches himself to read and write after he is created, and by the end of the novel he is polylingual.


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